美国论文代写:人文主义的观点

美国论文代写:人文主义的观点

人文主义是古典艺术的复兴。学习文学,在第十九世纪的诞生。人文主义是已知的与人类体现的宇宙观。它侧重于教育使个人通过研究和分析模型的过去和他们的道德和伟大成就卓越与完美。这些研究的重点是个人的努力,积极的生活,无论在身体和智力方面。这些努力引导人类走向大众的共同利益,实现个人的理想观。人文提升个人特质和个人的成功。人文主义者不仅鼓励和支持个人活动,努力和成就,而他们的奖励的完善和道德和荣誉的理想主义(科恩,2000)。
无论他们的个人主义和个人成就的焦点,人文主义者对集体荣誉与道德维度。它注重公民参与。公民参与在政治、经济生活和社会主义等各个领域都被认为是义不容辞的义务。人文与艺术之间的联系可以通过对古典艺术、历史和神话中著名的、有选择的题材的研究来得到最好的理解。
古希腊的古典理想催生了现代社会民主的方法。在当今社会盛行的民主结构出现了从Athens。Athens组成的十国集团政治种群。群是小的局部区域内居住的城市。从这十个部落的五十人进行。在这五十个成员只有一人被允许参与政治。在他们完成他们的特定时代下五十人选择。这个过程还在继续。这一制度产生了民主制度,与独裁统治和基于宗族的统治制度形成了鲜明的对比。这种新的民主方法背后的支持是允许自治和个人在社会中的重要性的古典理想。

美国论文代写:人文主义的观点

Humanism is a revival of classical art. Learning and literature, given birth in 19th century. Humanism is known to embody a universal view in relation to human beings. It focuses on educationwhich enable individual to achieve excellence and perfection by studying and analyzing models of past and their virtue and greatness. Such study focuses on personal efforts, active life, both in physical and intellectual terms. These efforts direct human beings towards shared good among masses as well as attaining the ideal view of individual. Humanism promotes individual traits and individual success. Humanists do not only encourage and support individual activity, effort and achievement, rather they reward perfection and idealism with morality and honor (Cohen, 2000).
Regardless of their focus on individualism and personal achievement, humanists have dimensions for collective honor and morality. It focuses much on citizen’s participation. Participation of a citizen was considered obligatory in various fields of life, such as politics, economic life, and socialism. The connection between humanism and arts can be best understood by looking into the subjects that were famous and selected from classical art and, history and myth.
The ancient Greek classical ideal gave birth to democratic approach of modern society. The structure of democracy prevailing in today’s society emerged from Athens. Athens formed the the group of ten political demes. Demes are the small local areas residing inside a city. From these ten tribes fifty men were selected. Out of these fifty members only one man was allowed to participate politically. After they completed their specified era next fifty were selected. And the process continues. This system gave birth to the democratic system in contrast with dictatorship and lineage based system of governance. The backing behind this new democratic approach is the classical ideal which allowed self-governance and importance of individuals in the society.

澳洲艺术史论文代写:工艺美术运动

澳洲艺术史论文代写:工艺美术运动

威廉·莫里斯是由Ruskin和他的养生的艺术和工艺思想的极大影响。他创立的公司命名为Morris,马歇尔,福克纳& Co 鼓励和大规模生产的时代保护个人工艺。Morris的公司证明是成功的,但所提供的艺术只能由精英阶层提供。他通过他的艺术所代表的想法成为许多艺术家的灵感,这导致了许多艺术和工艺组织的形成,其中一个是艺术工作者协会(1884)(内勒,1990)。工艺美术运动主要包括建筑设计、装饰材料,包括墙纸、彩绘玻璃、印花布、家具、挂毯艺术、马赛克艺术、陶瓷、珠宝家具和木雕。一些设计师和艺术家,那些与本运动有关的是爱德华·伯恩·琼斯(1833-98),福特马多克斯布朗 (1821-93),苏格兰的壁画家John Duncan(1866-1945)、但丁·加百利·罗塞蒂(1828-82),陶瓷艺术家William de Morgan(1839-1917)、奥布里(比尔兹利 1872-98)和著名建筑师Edward William Godwin(1833-86),WR Lethaby(1857-1931)和Richard Norman Shaw(1831-1912)(内勒,1990)。
运动的基本哲学是考察社会、艺术和劳动之间的关系。运动背后的哲学思想认为,工业革命已经消除了人类的技艺,最终人类变得缺乏创造性。该运动的目的是使人们回到设计和制造过程中,以良好的设计作为制造过程的中心。创始人反对僵化的艺术。工艺美术运动并不能促进任何特定的艺术作品;相反,它包括改革和改性作为其哲学的一部分(Cumming &卡普兰,1991)。

澳洲艺术史论文代写:工艺美术运动

William Morris was greatly influenced by Ruskin and his idea of preserving the art and craftsmanship. He founded the firm named as Morris, Marshall, Faulkner & Co to encourage and preserve the individual craftsmanship in the age of mass production. Morris’s firm proved to be a success but the art offered could be afforded by the elite class only. The idea that he represented through his art became the inspiration for many artists and this lead to formation of many Art & Craft organizations one of them was Art Workers Guild (1884) (Naylor, 1990). The Art & Craft movement was mainly included architectural designs, decorative pieces which incorporated wall papers, stained glasses, printed fabrics, furnishing, tapestry art, mosaic art, ceramics, jewellery furniture and wood carving. Some of the designers and artists, those who were associated with this movement were Edward Burne-Jones (1833-98), Ford Madox Brown (1821-93), Scottish muralist John Duncan (1866-1945), Dante Gabriel Rossetti (1828-82), the ceramic artist William de Morgan (1839-1917), Aubrey Beardsley (1872-98) and the famous architects such as Edward William Godwin (1833-86), WR Lethaby (1857-1931) and Richard Norman Shaw (1831-1912) (Naylor, 1990).
The underlying philosophy of the movement was to examine the relation between the societies, art and labour. The philosophy behind the movement had believed that industrial revolution has removed the craft skills of man and eventually man has become less creative. The aim of the movement was to put people back in the designing and manufacturing process, making good designs as the center of manufacturing procedure. The founders fought against the fossilization of the art. The Art & Craft Movement did not promote any particular art work; instead it included reform and modification as the part of its philosophy (Cumming & Kaplan, 1991).