个人陈述代写-BBC构建受众概念的研究

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个人陈述代写-BBC构建受众概念的研究。这篇文章讨论了BBC如何试图构建受众概念，以提供更好地与他们的偏好相联系的媒体片段。媒体部门的构建方式可以迎合消费者、公民和评论家。消费者是BBC比较被动的受众，而这是比较主流的受众。虽然BBC的研究表明，他们可能不会在创造媒体片段和新闻方面发挥很大的作用，但他们仍然会发挥重要的作用，因为他们是增加收视率的人。另一方面，批评家和市民在内容的创造上起着更直接的作用。在科学内容的语境中，受众的利益再次被BBC所理解，在这种情况下，受众利益的推断可以创造一个话语的范围。论文范文个人陈述代写-BBC构建受众概念的研究分享给留学生阅读。

The essay discussed how BBC attempts to construct audience concepts in order to offer media segments that would connect to their preferences in a better way. Media segments are constructed in ways that could cater to a consumer, a citizen and a critic. The consumer is the more passive audience of BBC and yet this is the more mainstream audience. Although the research of BBC shows that they might not play a large role in the creation of the media segments and news, they would still play a significant role because they are the ones adding to the ratings. On the other hand, the critics and the citizen play a more direct role in the creation of content. In the context of science content, the interests of the audience are once again understood by BBC, and in this inferring their interests can create a sphere of discourse.

The other division or construction of concepts of audience is that of the main stream audience and the selective viewers. Here in the case of the mainstream viewer BBC believes that they would be affected by such factors as what they enjoy as a pattern, as in something they have enjoyed over the years such as a show like ‘Come Dine with Me’ or ‘Holby City’ (BBC Trust, 2012). This form of patterns in watching is attributed by BBC to arise out of a tendency to watch more television. So the more the person watches television, then according to BBC the more they might not be selective. However, it is also argued in research that this could not be taken to mean that they do not have sophisticated tastes. On the other hand, the selective viewers are much smaller in numbers. These selective viewers would also overlap hence with the critic mode. The critic mode as established earlier is that mode which has preferences and would like to see these preferences satisfied by BBC. BBC research argues that the critic mode might not exactly be sophisticated in their tastes and might at times be alright with just being entertained. However, they have a much clearer view on what they could expect from BBC. BBC believes that it hence a mix of ground breaking genres and that in providing a mix of elements it is able to foster culture and science in the nation.

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美國代寫-網絡交流文化對兒童交流行為的影響

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美國代寫-網絡交流文化對兒童交流行為的影響。在學生和年輕人中，如果一個人在facebook上沒有個人資料，他們就會被人看不起。它幾乎被視為一種身份的象征——一個人的朋友列表中朋友的數量越多，或者一個人的展示圖片上的“喜歡”的數量越多，這個人就越受歡迎。這種年輕人的網絡文化可能會影響ESOL學生使用facebook學習英語、交朋友和“融入”的實踐，以及童年的數字化。這種現象最好的例子就是持續的網絡互動文化導致了網上約會。另一個更令人擔憂的例子可能是“數字臥室”和網絡遊戲的文化，它們導致了兒童的數字化。童年的數字化嚴重影響了孩子們的生活，導致了空蕩蕩的操場和更高的Farmville分數。這種網絡交流文化也影響了兒童交流的行為模式(Wei, 2014)。論文范文美國代寫-網絡交流文化對兒童交流行為的影響就為留學生分享到這裏。

This culture of awareness directly affects the trend of ‘armchair activism’. Similarly, among students and young adults, if one doesn’t have a profile on facebook, they are looked down upon. It is almost seen as a status symbol- the greater the number of friends in one’s friend list or the greater the number of likes on one’s display picture, the more popular would that person be. This culture of online presence among young adults may affect the practises of ESOL students to use facebook to learn English, make friends, and ‘fit-in’, and the digitization of childhood. And the culture of curiosity that we are a part of also affects the behavioural patterns of children. Lastly, the culture of online value chain and e-business and e-everything affect the behaviour of social media marketing using facebook.

There are many Conflicts and tensions surrounding these practises. As already mentioned, the authenticity of the practise of armchair activism through facebook can be questioned due to factors like herd mentality, superficial empathy, and the desire to fit-in. The practise of using facebook groups and pages for social media marketing faces the problems of failure due to lack of authenticity, lack of trust on the part of the prospective customers, spamming and disinterested target customers. In our modern age, the real and the virtual have become so intertwined that it is difficult to separate one from another. The best example of this phenomenon can be the culture of continuous online interactions resulting in online dating. Another, more worrisome, example can be the culture of ‘digital bedrooms’ and online gaming, which have resulted in the digitization of childhood. The digitization of childhood has seriously affected the lives of children and resulted in empty playgrounds and higher Farmville scores. This culture of online communications has also impacted the behavioural patterns of children’s communications (Wei, 2014).

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北美作业代写-奢侈品牌与大众市场品牌的区别

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北美作业代写-奢侈品牌与大众市场品牌的区别。奢侈品牌与普通品牌最重要的区别在于价格。已经观察到，如果一个产品的价格高于其他竞争对手，就假定该产品具有更多的功能和健壮的流程(Kapferer, 1998)。它也增加了奢侈的感觉或情绪。拥有产品本身的行为被认为是产品的奢侈形象。在这个定义中，奢侈品牌的管理有更多的变量。它是复杂的，根据主观情境的要求而变化。这些都是需要考虑的重要因素。但在现实中，在打造奢侈品牌形象时，需要考虑很多变量。有许多方面已经嵌入到原始设计中。论文范文北美作业代写-奢侈品牌与大众市场品牌的区别分享给留学生阅读。

The most important differentiation between the luxury brand and the normal brand is the pricing. It has been observed that if a product is priced higher than the other competition, it is assumed that the product has more functionality and robust processes (Kapferer, 1998). It also increase the feelings or sentiments of luxury (Kapferer, 1998). The act of owing the product in itself is considered to be a luxury image of the product. The management of the luxury brand has many more variables in this definition. It is complex and is found to vary based on the requirements of the subjective situation. These are the important factors that need to be the factored. But in reality, there are many variables that need to be considered while creation of a luxury brand image. There are many aspects that have been embedded to the original design.

Luxury brand should imperatively offer functionality and maintain high quality of the products. Apart from this, there should also offer innovative services or deliverables to the consumers. This is as simple as actively listening to the consumers or engaging the consumers through a number of promotional schemes. Le Labo is considered to be a luxury brand and they have been doing well in the markets. However, in lieu of the product cycle principles, the value of the products reduces with time. For this, they had tried a new technique of preparing the perfumes before the customer. In this case there is a pre mixing of the perfumes in front of the customer. They deduce the fragrance after interaction with the consumers. It is an interesting strategy that is used to connect with the consumers. This innovative straetgy has been employed by the company to make the consumer feel exclusive. The customer requirements are met and the premium pricing of the product is also validated (Stöttinger, Schlegelmilch, and Zou, 2015). There is vast brand recognition that has been garnered in this process as well. Hand-blended perfumes are an innovative design. There is engraving of the name of the consumers. The consumers then create a special bong with the brand. Similarly, in the case of Porsche, the consumers are allowed to select the product from the assembly line of the product ((Stöttinger, Schlegelmilch, and Zou, 2015).

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