毕业论文代写：电影《闹鬼的灯笼》
毕业论文代写：电影《闹鬼的灯笼》。该作品分析了电影《闹鬼的灯笼》，重点是如何从侯恩的版本进行修改和阐述。为了使故事适合国际观众的消费，这些改动是必要的。原版的故事信息，东方哲学，甚至像背叛这样的主题都被保留了下来，但是为了更好地呈现给不同的观众，我们做了一些小的调整。同样地，游戏中的角色以及他们之间的联系也发生了变化，而这些变化也将再次迎合全球用户的需求。接下来毕业论文代写专家将为同学们分析讨论下电影《闹鬼的灯笼》。
故事的一些改进可以归功于演员所处的媒介。这部电影于1998年上映。恐怖电影具有戏剧性的效果，观众喜欢戏剧化、血淋淋的元素，希望从电影一开始就看到这样的表现。候恩版本并没有从血腥元素开始。故事情节从人物如何相遇，他们如何坠入爱河，甚至当主人公得知她的爱人已死时，他看到了她，并相信自己被误导了。读者几乎被误导，相信医生志工可能对他们两人都撒了谎。只有当仆人往屋里看一眼拜访主人的女士时，读者才意识到情节的恐怖。然而，这部电影迎合了观众的需求，他们需要了解所有的超自然元素，以保持他们的兴趣。因此，电影呈现了前世的情节，津三郎在津友死的时候看着她，甚至在她死的时候，也被看作是一群红色的昆虫。观众因此被介绍到超自然和恐怖的元素的故事没有进一步的麻烦。
背叛在电影和侯恩的版本中呈现的方式是不同的。在这部电影中，背叛似乎占据了主要角色。但是，背叛的人是新三郎。在书面版本中，背叛与仆人有关。被女仆威胁的仆人被观察到剪断了保护主人的精神胶带。侯恩版本中，背叛的主题更关注仆人的行为。在日本，仆人和主人的忠诚关系是备受尊敬的。没有主人的允许，武士都不能结婚。这样的典籍使新三郎的仆人的背叛成为了书本化的重要内容。但是，在影片中，背叛主题与主人公新三郎联系在一起。在之前的生命序列中，津三郎拿起他的剑去割断自己的脖子，而津三郎也做好了同样的准备。津宇割断了她的脖子，但当血从她的脖子里喷涌而出时，新三郎放下了剑，恐惧地离开了。他没有准备好在他的来世加入她，在某种意义上背叛了津宇。后来，当Shinzaburo的仆人试图为Tsuyu制造耻辱时，他说Shinzaburo会再次背叛她。Shinzaburo向津宇承诺，当他第二次见到她时，他会一直和她在一起。然而，当他知道她是一个幽灵，他再次背叛她，确保她不能再接近他。电影中反复出现的背叛主题与书面作品中的背叛不同。但是，比起仆人背叛主人，更能让全世界的观众欣赏的是一个男人背叛他曾经承诺过的女人的行为。这也可以从赫恩版本中，津友死的时候，津友有一个忠诚的女仆死中看出。在这部电影中，她们是姐妹。全世界的观众都能理解姐妹们表现出的忠诚和感情，而不是女仆对情妇的感情。
为了帮助观众更好地理解这些概念，电影中以不同的方式呈现了重生等东方信仰。在书中，直到Shinzaburo去找一位精神导师，他才知道，津宇从上一个生命开始就会喜欢他，正是这种激情让她在死后依然追求他。由于重生的概念在东方哲学中根深蒂固而在西方哲学中并不多见，所以这部电影在开头有一小部分实际上展示了津佑和新三郎之前的出生联系是如何发生的。影片和原著一样，保留了东方的哲学元素，但为了让观众更容易理解津友和新三郎之间的因果关系，影片进行了扩充。
Some of the improvements of the story can be attributed to the medium in which it is cast. The movie was released in the year 1998. Horror movies were made with dramatic effects, and the audience preferred dramatization, gory elements and wanted to watch such representations from the beginning of the movie. The Hearn version does not start with gory elements. A plot is unveiled from how the characters meet, how they fall in love, and even as the protagonist is informed of the death of her love, he sees her and believes he was misinformed. The reader is almost led on to believe that Shijo the doctor has perhaps lied to them both. It is only when the servant looks into the house to catch a glimpse of the lady that was visiting his master that the reader realizes the horror in the plot. The movie however caters to an audience who will need to be introduced to elements of the supernatural all throughout in order to keep their interest. Hence, the movie presents the plot from the previous birth, where Shinzaburo looks on while Tsuyu dies and even in her death is seen to come alive as some sort cluster of red insects. The audience is hence introduced to the supernatural and horror element of the story without further ado.
The way betrayal is presented is different in the movie and Hearn’s version. In the movie, betrayal is seen to occupy a major role. However, the person who betrays is Shinzaburo. In the written version, betrayal is associated with the servant. The servant threatened by the maid is observed to have cut of the spiritual tape that protected his master. The theme of betrayal as observed in the case of Hearn’s version is hence more fixated on the servant’s action. The loyalty of a servant and the servant master relationship is a revered one in Japan. A samurai cannot even marry without the permission of his master. Such codifications made the betrayal of the servant of Shinzaburo a significant thing in the written version. However, in the movie, the betrayal motif is observed to be associated with the protagonist Shinzaburo. In the previous life sequences, Shinzaburo takes up his sword to cut his neck when Tsuyu gets ready to the same. Tsuyu cuts her neck, but on seeing the blood spurt out of her neck, Shinzaburo drops his sword and moves away in fear. He is not ready to join her in his afterlife and in a sense betrays Tsuyu. Later, when the servant of Shinzaburo attempts to create dishonor for Tsuyu, he states that Shinzaburo would betray her again. Shinzaburo promises Tsuyu when he sees her the second time that he would be with her all the time. However, when he comes to know she is a ghost, he betrays her again by making sure she cannot come near him again. The recurrent theme of betrayal as presented in the movie is different from the betrayal presented in the written work. However, a more global audience would appreciate the betrayal action of a man to a woman he has made a promise to than that of a servant betraying his master. This can also be observed in the way Tsuyu is seen to have a loyal maid die when Tsuyu dies in the Hearn version. In the case of the movie, they are sisters. A global audience can understand sisters showing such loyalty or affection than that of a maid for her mistress.
Eastern beliefs like rebirth have been presented differently in the movie in order to assist the audience to understand the concepts better. In the book, it was not until Shinzaburo goes to a spiritual teacher that he comes to know that Tsuyu would have liked him from her previous birth, and that it was this passion that makes her pursue him from beyond the grave. Now since the concept of rebirths is ingrained in eastern philosophy and not so much in western philosophy, the movie has a small section in the beginning that actually presents how this previous birth connection between Tsuyu and Shinzaburo happens. While the eastern philosophy elements are retained in the movie, the same as in the book, it has been expanded to make it easier for audience to comprehend the karmic connections between Tsuyu and Shinzaburo.
以上内容就是毕业论文代写专家对电影《闹鬼的灯笼》的分析讨论。如果留学生们没有足够的信息来完成英文论文，可以寻求美国论文代写AdvancedThesis服务的帮助。我们的英文论文创作专家都经过严格的培训，以提高论文写作技巧。保障英文论文原创质量，并使用真实来源的文献资料，并以必需的引用方式引用来使用这些文献资料。因此，留学生们选择们美国论文代写AdvancedThesis订购服务，都会准时收到原创高质量的论文作品!
