代写价格：作品创作解说

本篇代写价格的文章来源于我们代写论文网站的一篇范文，是对作品创作的解说。

代写价格：作品创作解说

与方塔纳类似，我作品中孔边外的材料，也是由猛烈撞击形成的。此外，空旷的空间是以一种丝般的表面形式存在的，这意味着这种结合影响了机械运动与不可控制冲击之间的张力。然而，无论是洞的阴影还是洞外的物质，都会在一个连续的动作中强调单个手势的角度和弹射的方向。尽管重新设计的作品空间通过不同手势之间的无形线条表现出连续的身体运动，但造型过程仍然过于复杂。

代写价格：作品创作解说

每个孔的字符都可以用来表示特定的手势。不过，对于一些观众来说，整体效果还是无法充分展示拍摄过程。因此，我决定用更简单和直接的方式塑造连续的身体运动方式。当我们考虑连续的身体运动在造型过程中的应用，它让我想起了诺曼1966年的作品《面粉安排》。据本杰明H.D.Buchloh说，这似乎是二战后第一个“工艺雕塑”。

代写价格：作品创作解说

在一个月的时间里，诺曼堆了一大堆面粉，间歇地将其塑造成不同的形状，同时，这些形状也揭示了伴随着身体特征和运动的空间。因此，M.D.Michelis说，弗里德里希·尼采对空间的描述，即所谓的“身体运动的动力性”可以用来产生这些造型作品。简单地说，原始喜悦的“溢出”使艺术家在空间中通过身体成为一件艺术品（Basualdo and Taylor，2009）。与诺曼的作品相似，我的两个造型作品中的建筑材料形状都能反映出连续运动的过程。

代写价格：作品创作解说

然而，相比之下，我的作品中的形状受一个手势的影响，可以用来追踪动作的过程很容易。在另外，我选择的工具可以用来弹出急流中的材料，并在一定距离内产生影响。我的作品建立在三维空间中，帮助观众想象手臂的角度以及通过不同深度喷射的物质的方向。在厚基与抛射物质激流的相互作用下，长形对应于一个连续运动，该运动由不同角度组成。手势。相反在表现身体的物理特征时，射血使抽象的身体运动的反映成为可能。

代写价格：作品创作解说

Similar to Fontana, the material outside of the edge of the hole in my work , is also formed by a violent crash. In addition, the empty space is located in a form of silky surface, which means that the combination affects a tension between the mechanical movement and the uncontrollable impact. However, the shadow of both the hole and the material outside of it, would emphasize the trace of the angles of single gesture and the direction of ejection in aunified successive movement. Even though the space of redesigned work shows the successive bodily movement through the invisible line between different gestures, the moulding processis still too complicated.
代写价格：作品创作解说

The characters of each hole can be used to indicate certain gesture. However, for some viewers, the whole effect will still not fully demonstrate the procedure of shooting. Therefore, I decide to mould the successive bodily movement in more simple and direct way.When we consider the application of successive bodily movement in moulding process, it reminds me about Nauman’s 1966 work Flour Arrangement. Accordingto Benjamin H. D. Buchloh, it seems to be the first ‘process sculpture’ after World War II.
代写价格：作品创作解说

During one month, Nauman build a large pile of flour and intermittently moulded it into different shapes; meanwhile, the shapes also reveals the space which accompanies the characteristic of body and its movement. Hence, M. D. Michelis states that Friedrich Nietzsche’s description of space, in terms of the force called ‘dynamism of bodily movement’ could be used to generate these moulding works. Put simply, the ‘overflow’ of primordial delight’ leads the artist to become a piece of artwork through his body in space(Basualdo and Taylor, 2009). Similar to Nauman’s work, the shape of build material in both my moulding works can reflect the process of successive movement.
代写价格：作品创作解说

However, in comparison, the shape in my work is impacted by a single gesture, which can be used to trace the process of acting more easily.In addition,the tool I select can be used to eject material in torrent and make impact at a distance. Mywork is established in three dimension, which help viewers to imagine the degree of arm’s angle as well as the direction of ejected material through the different levels of depth. With the interaction between thick foundation and the torrent of ejected material, the long shape corresponds to a successive movement, which is composed of different angles in the same gesture.Instead of representing the physical characteristic of body, the ejection lets the reflection of abstracted bodily movement become possible.