代写论文:音乐多媒体的分析实例

代写论文:音乐多媒体的分析实例

比较多媒体的实例

多媒体选择为了比较的实例是幻想曲“春天的仪式序列”和“物质女孩”的麦当娜的视频代表的多媒体掠夺大自然的音乐在哪里陪组件视觉,因此主导多模式的纹理。

根据天上的配乐有3之前现有的作品tintinnabuli部分通过下午的开发利用,皮毛艾琳娜,明镜和VariationenzurGesundung·冯·Arinuschka明镜。然而,春天的仪式序列幻想曲是最长的一段音乐电影。音乐当听到清楚地表明使用8不同线索的音乐和电影中的音乐元素总覆盖了21分钟时间完成时间的电影。这从电影音乐多媒体实例说明了多媒体语境的观点依然存在。的电影通过一系列的序言。最初的角度来看,音乐在电影中引起的角度也注册一个图像与一个低的声音可持续性构成的含混音色变成一个修辞韵踏板噪音。第一个元素在电影中描述多媒体方法发展从最初的低两个八度踏板点生成通过毛皮艾琳娜和音乐是听到背景跟踪在一个空屏幕,但音乐是如此有效,它就像一个引爆炸弹回忆。

 

代写论文:音乐多媒体的分析实例

Comparing Instances of Multimedia
The instances of multimedia selected in order to compare are Fantasia “The rite of Spring sequence” and the video for Madonna’s “Material Girl” representing the context of multimedia where predatory nature of music is to accompany the component visually and hence dominate the texture of multi-modal.
According to the soundtrack of Heaven there are 3 previously existing works of tintinnabuli developed through Arvo Part who has made use of, Fur Alina, Spiegel in Spiegel and VariationenzurGesundung von Arinuschka . However, the Rite of Spring sequence in Fantasia is the longest piece of music in the movie. The music when heard clearly indicates the use of 8 different cues of music and the total musical element within the film has covered 21 minutes duration out of the complete time of running of the film. This multimedia instance is from a film music which has illustrated multimedia contextual perspectives to remain. The opening of the film takes place through a sequence of prologue. The initial perspective that the music in the film arouses is the perspective of registering an image with a low sound sustainability also constituting the ambiguousness of timbre turning into a rhetoric noise over the musical sound pedal . The first element in the film depicting multi-media approach develop from initial low pedal points of double octaves generated through Fur Alina and the music is heard as a back ground track over an empty screen but the music is so effective that it resembles a detonated bomb reminiscence.