代寫-日本時尚發生的革命性變化分析

代寫-日本時尚發生的革命性變化分析。20世紀80年代以來，日本的時尚開始發生革命性變化，Comme de Garcons、三宅一生(Issey Miyake)和Kohji Kamamoto等設計師的成功開創了日本時尚的先機，他們成功地擴展了自己的品牌——無印(Muji)、優衣庫(Uniqlo)和Kenz。在這一特殊時期，隨著日本最終進入泡沫經濟，DC burando開始蓬勃發展，推廣概念設計師品牌和特色品牌。在此基礎上，結合服裝品牌引入了徽章等設計概念。這些都有助於明確地確定一些時裝設計師。歐洲的媒體越來越多地注意到，日本在積極革新其時尚的同時，也帶來了不可否認的影響。日本的設計師並沒有義務去豐富歐洲的時尚產業，但是他們在面料和造型上的嘗試仍然是非常活躍的。這就是日本人開始進行重大創新的時候。

Based on the overall discussion and above pictures of Japanese fashion, Japan can be seen staging itself with amazing style spreading across the youth population while it has been successfully diversifying its fashion. Among the population of Japan, fashion is well- known for its key characteristics. Even though Japan can be seen westernizing, the industry of fashion in Japan also impacts the industry of fashion all across the globe. There has been an evident presentation of the same by several researchers who focused on the industry of fashion in Japan. In Japan, fashion plays a significant role in the society, enhancing the identity of women across their local community or celebrities across the wider community. Not just in clothes, it is well evident in accessories, jewelleries, interiors and even cars. A number of others can be seen promoting sustainable development through fashion.

Key styles of fashion such as wide sleeves, loose voluminous fit, layering and the utilization of fine silks with the motifs of nature, can be considered as major elements for the traditionally dressing style of Western in alignment with the previous fashion designer. Yamamoto, Kawakubo and Miyake, as mentioned previously, were key compatriots for preceding in Paris. Also well- known for progressively designing the cognoscenti of fashion, Miyake was a forward thinker while consistently targeting the overall scope of fashion. The work was firmly rooted with the traditional philosophy of designing in Japan, while he gained significant success in exploring the relationship between traditional western fashion and Japanese apparel.

The fashion of Japan started to revolutionize since the years of 1980s with success initiated by designers like Comme de Garcons, Issey Miyake and Kohji Kamamoto, as they successful expanded their brands, Muji, Uniqlo and Kenz, respectively. During this particular periods, as Japan ended up entering the bubble economy, there was a start of booming DC burando, promoting the concept designer brand and characteristic brands. With respect to this, concepts of design such as insignia were introduced in accordance with the brands of clothing. These were helpful in specifically identifying some fashion designers.

Increasingly, the media sources of Europe observe the undeniable impact of Japan as it aggressively revolutionized its fashion. The designers of Japan, as such, were not obligated to enrich the fashion industry of Europe, however, they still were highly active as they experimented with fabric and shape. This was when Japanese started to innovate in a significant manner. As creativity of the Japanese was acknowledged by the male population of Europe, the link between fashion styles of Japan and western areas were being identified evidently. Irrespective of a number of debates in order to interpret certain designs of Japan, the Japanese fashion designers were successful in defining the new way of dressing in Europe as well.

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