代写经济论文

代写作业:埃利奥特·卡特的第一部弦乐四重奏

代写作业:埃利奥特·卡特的第一部弦乐四重奏

美国作曲家埃利奥特·卡特的第一部弦乐四重奏是他作为作曲家的第一部具有重大突破的作品。艾略特在他成名的作品中使用了米制调制。早在1920年,斯特拉文斯基就使用了这种装置;然而,卡特是第一个在工作中发展这种转变的人。在这个过程中,卡特将调性从调性变为了调性,这与早期作曲家的结构角色形成了鲜明的对比。这部杰作由一个虚拟的独奏段落中的三个部分组成的四个乐章组成。这篇文章在每首四重奏的结尾都有两首小调。第一部分是大提琴,另一部分是小提琴。艾略特在1950年对小提琴的使用是非同寻常的,当时传统音乐仍然盛行,尽管有迹象表明现代音乐处于发展的初级阶段。这部杰作的人物形象富于表现力,每个人都有自己的推论和联系。此外,使用中断的慢动作是作品的重点。艾略特毫不犹豫地尝试在作品中使用慢动作,尽管当时的观众特别喜欢这种快速而激烈的动作。

代写作业:埃利奥特·卡特的第一部弦乐四重奏
烟囱在半空中解体,地面塌陷,这一现象令人震惊,与传统的做法截然相反。小提琴的使用在最后减慢了工作,看起来像一个很长的延伸而不是梦想的时间。四个部分之间的运动没有被停顿和观众不喜欢的潜在原因区分开来。艾略特认为动作是幻想曲、快板、慢板和变奏曲。他认为停顿是在变化开始的中间和附近。由于不同寻常的分裂、节奏和性格变化,他在三个部分使用了两次停顿。卡特对音高类的使用是一个调和的过程,也是那个时代对垂直音高空间的罕见使用。艾略特使用了不同音高材料中重复出现的中心音。在和声框架中使用了基于“全音程”四音符和弦的四重奏,以连接音乐的音调并保持连续性。此外,同时使用和连续使用速度的工作在当时是相当罕见的。

代写作业:埃利奥特·卡特的第一部弦乐四重奏

The First String Quartet by American composer Elliott Carter was his first major breakthrough work as a composer. Elliot used metric modulation in his piece of work for which he became famous. Earlier, Stravinsky used this device in 1920; however, Carter was the first to develop such transformation in work. In this, Carter changed the modulation from tonality to temp in contrast to structural role of the earlier composers. The masterpiece comprises of four movements in three sections contained in a virtual solo passage. The passage has bookends at the end of each quartet for two cadenzas. The first bookend is dedicated to cello while violin concludes the other end. Use of violin was extraordinary by Elliott in 1950 when traditional music was still prevalent, even though there were signs that modern music was in the initial stages of development. The masterpiece had expressive characters, each of whom drawed inference and linkage with each other. Moreover, the use of interrupted slow motion was the key highlight of the work. Elliot did not hesitate to take chances of using slow motion movements in work, even though the fast and furious movements were particularly popular among audiences in those days.

代写作业:埃利奥特·卡特的第一部弦乐四重奏
The disintegration of chimneys in mid air with collapse on the ground was stunning and quite contrary to traditional works. The use of violin at the end slowed the work and looked like a long stretch rather than dream time. The movements between four sections were not differentiated by pauses and potential reasons for dislike among audiences. Elliot endorses the fact that movements were Fantasia, Allegro scorrevole, Adagio, and Variations. He opines that pauses were in the middle and near starting of variations. He used two pauses in three sections due to unusual movement of division, tempo and character change. The use of pitch classes by Carter was a harmonic procedure and rare use of vertical pitch space in those times. Elliot used recurring central sounds from different set of pitch materials. Quartet based on an “all-interval” four-note chord was used in harmonic frame in the work for bonding musical tones and maintaining continuity. Moreover, the uses of both simultaneous and successive speeds in the work were quite uncommon in those times.