商科论文代写

论文代写:音乐多媒体的分析实例

论文代写:音乐多媒体的分析实例

多媒体选择的另一个实例来分析多媒体音乐从烹饪的角度来看是物质女孩,麦当娜的尼古拉斯·库克提倡流行音乐是西方传统地区的一个传统音乐学的过程把前面一个跨学科的重点自然在多媒体的本质。在这个音乐视频,它变得明显,之间有一个明显的区别现实效应概念和意义概念在分析音乐。从这个角度看,库克坚称这音乐作品包括建立沟通方面的能力直接与音乐的意义与音乐作品中音乐的作用的评估。然而,最引人注目的元素在麦当娜的专辑是在2000年发布的标题轨道命名为音乐。然而多媒体的构成,符合物质女孩在于合成安排支持通过一个强大的后座。机器人的声音男性一直重复这首歌的主要短语“生活在一个物质世界”。按照表的音乐通过阿尔弗雷德出版社出版,说明这首歌由时间签名元素组成与一般的时机包括每分钟120次的节奏。C大调是关键的节奏与声音设置麦当娜跨越从C4、C5通过色调节点。和弦的一般进程中的歌曲说明中的序列F-G-Em-Am-F-G-C合唱声音特别是诗歌有其基础的模式C混合里第亚结果给嘻哈的感觉或情绪摇摆。这首歌低音线也构成一个更强的起源从post-disco首次怀旧地在你能否感觉到杰克逊歌曲的专辑在1980年的胜利。另外,这首歌已经明显还描绘,麦当娜试图避免生产一些与Mellisa曼彻斯特的歌曲,被称为你应该听到她如何谈论你,1982年。

论文代写:音乐多媒体的分析实例
Another instance of multimedia chosen in order to analyze the multimedia music from the perspective of Cook is Material Girl by Madonna in which Nicholas Cook has advocated popular music to be a process of traditional musicology in traditional Western regions bringing to the front a focus of interdisciplinary nature over the multi-media essence. In this music video, it becomes evident that there is a clear difference present between the effect notion and the meaning conception when analyzing music . From this perspective, cook insisted that this musical piece consists of the ability of predicated communication perspectives with the meaning of music being directly linked with the role of music played within the musical piece assessment. However, the most striking element in the album of Madonna lies in the title track released in the year 2000 named as Music. However the composition of multimedia, consistent with material girl lies in synthetic arrangements supported through a stronger back seat. A voice of robotic male is consistently repeating the main phrase of the song “Living in a material world”. In accordance to the music of sheet published through Alfred Publishing house, illustrated that the song consists of time signature elements with general timing inclusive of 120 beats per minute tempo. C major is the key where the tempo is set with the voice of Madonna spanning from C4 to C5 through tonal nodes. The general progression of chord within the song illustrates the sequence F-G-Em-Am-F-G-C within the choral sound especially when the verse has its basis over the mode of C mixolydian resulting into giving a feeling of hip hop or a swinging like mood . The song bass line also constitutes a stronger origin from post-disco which was first reminiscently available in the Can you feel it song by the Jacksons in their album Triumph in the year 1980. In addition, the song has clearly also depicted that Madonna has tried to refrain from producing something which collaborates with the hit song of Mellisa Manchester, known as You Should Hear How She Talks About You, 1982.