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美国代写被抓:女王的收藏

美国代写被抓:女王的收藏

女王的收藏以这样一种风格展示,他们倾向于告知社会古代和现代艺术的比较。收藏家克里斯蒂娜皇后(Queen Christina)的动机似乎是通过这些画作向她所在的社会和人们传达有关文化的信息。在当代,收藏被认为是一种普遍存在的现象,是由于当代消费文化的影响而产生的。收集行为的重点是获取某种用途的物品,然后在使用之后,产品被处理掉。有些收集是为了维护,而另一些则主要将收集过程视为一种消费形式。这不适用于克里斯蒂娜女王的时代。绘画形式的艺术收藏不像当代产品那样是供消费的,而是供文化消费的目的。克里斯蒂安女王(Queen Christian)以收集藏品而闻名,她在花钱方面没有太多限制。这被认为是一个真正的收藏家的标志。真正的收藏家不担心他们花了多少钱,他们会收集来满足一个目的。文化收藏者致力于持续不断的购买之旅,以追求藏品。

美国代写被抓:女王的收藏
正如乔安娜•皮特曼(Joanna Pitman)所描述的那样:“瑞典的克里斯蒂娜(Christina)是个文化饕餮。她的胃口和查尔斯一样贪得无厌,没有明显的克制,伦敦、海牙和罗马的代理人都在不断地寻找收购对象。她批发购买图书馆,然后把它们运回瑞典。她买了画、手稿和珠宝,这些战利品一箱又一箱地运到她在斯德哥尔摩的宫殿。”她的代理人在欧洲的各个角落等着她,当她想要的画作出现在市场上时,他们就开始为她购买。皮特曼所描绘的克莉丝汀娜在文化收藏品方面是一个贪吃的人,当人们考虑到克莉丝汀娜女王不仅专注于收集绘画,而且被认为非常专注于收集雕塑和其他艺术作品时,这确实是一个事实。本文主要研究她的绘画收藏。正如赫尔曼所说的那样,她毫无顾忌地挥金如土,成为一名真正的收藏家。

美国代写被抓:女王的收藏

The queen’s collection was displayed in such a style that they tended to inform the society of the comparison of ancient and modern art. The motivations of the collector Queen Christina appeared to inform her society and people about culture through the paintings. In more contemporary times collecting is considered as a pervasive phenomenon that was brought about because of the consumer culture of current times. The collecting action is focused on acquiring things for some kind of a use and then after the use, the products get disposed of. Some collect to maintain and others are seen to view the collection process as mainly as a form of consumption. This cannot be applicable to Queen Christina’s time. The art collection in the form of paintings was not for consumption as in the case of a contemporary product but they were for the purposes of cultural consumption. Queen Christian was noted to acquire collections with not much inhibition in spending. This is considered as the mark of a genuine collector. The genuine collector does not worry about how much they spend, and they would collect to satisfy a purpose. Cultural collectors commit to a constant and continual purchasing trip in pursuit of objects for the collection.

美国代写被抓:女王的收藏
As Joanna Pitman portrays it “Christina of Sweden was a glutton for culture. With an appetite as insatiable as Charles’s, and no apparent restraint, she had agents in London, The Hague and Rome constantly on the lookout for acquisitions. She bought libraries wholesale and had them shipped back to Sweden. She bought pictures, manuscripts and jewels, and the loot came, in crate-load after crate-load, winding its way northwards towards her palace in Stockholm”. She had representatives waiting at different corners of Europe and when paintings that she had desired for appeared in the market they set out to buy it for her. Pitman’s portrayal of Christina being a glutton when it comes to cultural collections does indeed appear to be a fact when one considers that Queen Christina did not only focus on collecting paintings but also was seen to be very focused on collecting sculpture and other art pieces. This essay mainly focuses on her paintings collections. She had no inhibitions against spending as Herrmann states to be the ambition of a true collector.