美国论文代写：阿童木
美国论文代写：阿童木
阿童木于1951成立，为越来越多的漫画人气的一部分，在第二次世界大战后，一年后的朝鲜战争。阿童木不像其他机器人，被别人控制也有其自己的个人意义上的对与错。日本的政治景观要求人独立思考（Tanaka）。同样的牺牲和死亡/重生的概念，阿童木经历也是基于东方传统。这也是一个在日本的时候，经济上的国家下降，人们希望娱乐更容易负担得起。漫画如阿童木融入这个利基。另一方面，高更的maternité[Ⅱ]的工作是画他的流亡期间。这位艺术家于1891离开家乡法国前往塔希提，这幅画是在他失踪了家人多年后在塔希提画的。画中的人物实际上是他的波利尼西亚的情妇，pahura和夫妇的儿子出生在1899年（Sotheby’s）。
文体特征/异同
漫画的特点是用在阿童木；事实上，动漫在日本的普及往往是由于手冢。然而在同一时期和手冢动画工作正常的漫画表示一定的差异。在漫画故事，好人通常都是日本人，但是阿童木不受种族或国籍（Tanaka）。通常有不道德的成人和儿童，但没有其他区别。在阿童木的风格特点是多姿多彩的生动和字幕。特殊效果被认为是添加到图片，使观众可以看图片从不同的角度。不像漫画里的人物在同一个角度看，这里作者使读者可以通过网页，追踪阿童木的飞行动作。
美国论文代写：阿童木
Astroboy was created in 1951, as part of the growing manga comic popularity after the Second World War and a year after the Korean War. Astroboy unlike other robots that are controlled by someone else is seen to have its own individual sense of right and wrong. The political landscape of Japan required people to think independently (Tanaka). Similarly the concept of self-sacrifice and death/rebirth that Astroboy goes through are also based eastern traditions. It was also a time in Japan when economically the country was down and people wanted entertainment that was easier to afford. Comics such as Astroboy fit into this niche. On the other hand, the work of Maternité [II] by Gauguin was painted during his exile period. The artist left his homeland France for Tahiti in 1891 and this picture was painted after years spent in Tahiti, when he was missing his family. The characters in the painting are in fact his Polynesian mistress, Pahura and the couple’s son born in the year 1899 (Sotheby’s).
Stylistic characteristics/ Similarities and Differences
Manga characteristics are used in Astroboy; in fact the popularity of anime in Japan is often attributed to Tezuka. However there are some differences in normal manga representation of the same period and the anime work of Tezuka. In manga stories the good guys are usually Japanese, however Astroboy is not tethered to ethnicity or nationality (Tanaka). There are usually immoral adults and children, but no other difference is made. The style characteristics employed in Astroboy is colorfully vivid and with captions. Special effects are seen to be added into the picture such that the viewer could look at the picture from different angles. Unlike comics of the same time where characters were seen in one angle, here the author enables the reader to pan across the page, tracing Astroboy’s flight movements.
