美国论文代写：贝克特的戏剧等待戈多
美国论文代写：贝克特的戏剧等待戈多。元戏剧的现代概念认为，通过对现实生活中的苦难和经历的反映，观众可以将自己与舞台上的角色相认同。该剧的戏剧发展有效地“突破了第四堵墙”。在贝克特看来，一个舞台布景只有在与矿物、动物和植物世界相辅相成的情况下才算完整。他们出现在一个偏僻的地方，就在一棵树下，等待戈多的到来。在剧中，这棵树象征着人类信仰的道德标准。另一方面，戈多的隐喻意义是矛盾的，并提出了几个批判的观点。在剧中从未出现的戈多被一些评论家称为上帝。然而，贝克特本人否认了这一解释。接下来美国论文代写专家将为同学们分析讨论下贝克特的戏剧等待戈多。
我们已经观察到戈多象征着爱斯特拉冈和弗拉基米尔的基本驱动力，而后者则是在无休止的等待中。贝克特主张它代表了人类的终极目标、追求和探索。这是一种徒劳的寻找，永远不会结束。两个角色都对戈多寄予了绝对的信任，因此，表现了人类心灵挥之不去的不安全感。贝克特揭示了困扰后达尔文社会的固有恐惧和不确定性。这出戏的情节结构，正如它已经指出的，在发展方面没有任何活力。它没有情境、发展、冲突或结论。尽管如此，情节发展成功地在他的观众中引发了一种不适的感觉，因为他们面对残酷的存在主义真相(贝克特，2012)。还必须指出的是，永恒是现代戏剧的另一个基本品质。
该剧在对流行的后殖民主义观念的同化方面表现出现代主义的元素，其中包括对传统叙事手法的背离。詹姆斯·艾奇逊(James Acheson)等评论家评论了该剧的情节结构。他批判地指出，观众一定会注意到情节的划分:它被分成两幕，由两个主要的主角扮演。这个角色发现他们自己与彼此的命运相抗争，必须与一个荒谬世界的可能性进行斗争(Akhter, 2016)。尤金·韦伯(Eugene Webb)也评论说，贝克特已经成功地将这部戏剧变成了一种文化符号，尤其是他对时间的巧妙管理。贝克特在剧中分解时间元素的方式确实值得称道。此外，对一个不存在的角色“戈多”的永恒等待在不同的视角层面上具有象征意义。值得注意的是，剧作家有策略地让弗拉基米尔和爱斯特拉根在一系列活动中消磨时间:交换帽子，玩游戏，考虑自杀(Beckett, 2012)。它反映和讽刺了人类所专注的病态和徒劳的承诺。此外，在剧中，相对重要的事情都被处理得很琐碎。悲剧和喜剧之间界限的消解，使悲喜剧元素融入了戏剧。最重要的是，等待元素推动游戏向前发展。
因此，我们可以得出这样的结论:塞缪尔·贝克特是一位成功的现代剧作家，他成功地将当代戏剧的所有元素都融合在了一起。他通过戏剧这一媒介提出了他的打破传统的思想。
It has been observed that Godot stands symbolically of the essential driving force in Estragon and Vladimir, who is seen in an act of endless waiting. Beckett advocated the opinion that it represents the ultimate aim, quest, and search of man. It is a futile search that never ends. Both the characters have invested their absolute trust in Godot, thereby, manifesting the haunting insecurities of a human mind. Beckett has unravelled the inherent fears and uncertainties haunting the post-Darwinian society. The plot structure of the play, as it has been already pointed out, does not have any dynamism in terms of development. It has no situation development, conflict or conclusion. Nevertheless, the plot development successfully triggers a feeling of discomfort among his audiences as they’re presented with the brutal existential truth (Beckett, 2012). It must also be noted that timelessness is yet another essential quality of the modern drama.
The play manifested the elements of modernism in term of assimilation of the popular post-colonial conception which involves the deviation from the traditional narrative technique. Critics like James Acheson observes has commented on the physical structuring of the play. He has critically pointed out that the audiences are bound to notice the plot division: it is split into two acts which are acted by the two major protagonists. The character finds themselves pitted against the fate of one another and must struggle against the odds of an absurd world (Akhter, 2016). It has also been commented by Eugene Webb that Beckett has been successful in turning this play into a cultural icon particularly for his skilful management of time. The way in which Beckett has broken down the element of time in the play is indeed commendable. Besides, the eternal waiting for an absent character named ‘Godot’ assumes symbolic significance at different perspective levels. It is to be noted that the playwright had strategically engaged the character, Vladimir and Estragon in a series of activities order to pass their time: swapping their hats, playing games, and contemplating suicide (Beckett, 2012). It mirrors and satirises the morbid and the futile engagements that human beings are preoccupied with. Besides, the matters of relative importance are treated with triviality in the play. This dissolution of the borders between the tragedy and comedy renders the tragicomic element to the play. Most importantly, the element of waiting propels the play forward.
Therefore, it could be effectively concluded that Samuel Beckett has been a successful modern dramatist who had successfully incorporated all the elements of the contemporary drama. He brought forward his iconoclastic ideas through the medium of the plays.
以上内容就是美国论文代写专家对贝克特的戏剧等待戈多的分析讨论。如果同学们有需要论文代写辅导，论文代写推荐留学生们放心选择美国论文代写AdvancedThesis服务平台。因为其服务公司拥有专业资质的论文写手团队，保障论文原创，并使用权威的抄袭检测系统，让留学生们轻松应对英语论文写作并创作出专属个人的优秀论文!除此之外，还为留学生提供专业的硕士论文代写、毕业论文代写、essay代写等服务!
