美国论文代写：黑泽清
美国论文代写：黑泽清
东京奏鸣曲是日本家庭剧的导演53岁的黑泽清执导。这部电影与他恐怖电影中的电影有很大的不同，这使他得到了认可。这部电影于九月27日首次发行，2008。这令人心寒的戏剧故事围绕一个中产阶级家庭，佐佐木，由Ryuhei Sasaki（香川照之），他的妻子和两个儿子。这部电影是一个完美的写照薪水的人的生活时，坏的和意想不到的发生。它表明，薪酬的人可以很容易地拒绝，不能轻易接受解雇他以前富裕的生活。这个著名的电影的预算是2500000美元，总生存时间的电影在国内票房为278356美元（29.6%）和国外的水平是662074美元（70.4%）。这部影片的大部分都是在日本拍摄的。这部电影在第三届亚洲电影金像奖中获得了最佳影片奖，2009。
故事开始在一个有信誉的高能隆平使用声音工作办公室。所有的事情都进展顺利时，Ryuhei突然被解雇了，由于在较低的利率对中国工人的可用性。可能有三中国人雇佣了一名日本工人。这是Ryuhei职业生涯的转折点。他不想透露这个消息给他的妻子和家人，并继续表现，如果他仍然受雇。他加入了众多的小型日本我们称之为“秘密失业“谁想拯救他们的脸从他们的家庭因此假装工作的每一天。隆平用花他的办公室工作时间在公园和图书馆与其他一些适合日本的人带着同样的欺骗。隆平保持工作并把他的简历成立许多办公室，只是提供了屈辱和不合理的薪酬回报低。一次，Ryuhei遇到了他的老同学见面，Kurosu（津田宽治），漫步在街道上。他发现Kurosu在相同的情况下，自己。Kurosu告诉他，他用手机功能，响后特定的时间间隔，使他周围的人都认为他还在上班，接到他的客户/雇主的要求。Kurosu把他带到一个地方，他们站在队列中得到免费的食物，以慈善的名义供无家可归的日本人。这部电影的大纲的灵感部分来自于黑泽清童年时代的好奇心，因为他的父亲从来没有在家里讨论过他的工作细节。
美国论文代写：黑泽清
Tokyo Sonata is a Japanese family drama directed and written by 53-years-old Kiyoshi Kurosawa. This film was quite different from his movies in the horror genre which gave him recognition. The film was first released on 27 September, 2008. The story of this chilling drama revolves around a middle class family, the Sasaki, consisting of Ryuhei Sasaki (Teruyuki Kagawa), his wife and two sons. The film is perfect portrayal of salary man’s life when something bad and unexpected happens. It shows that the salary man can easily go into denial and cannot easily accept dismissal of his prior prosperous life. The estimated budget of this famous film is $2,500,000 and the total life time grosses of the film on domestic level are $278,356 (29.6%) and on foreign level are $662,074 (70.4%). The most part of the film was being shot in Japan. This film attained Best Film award in the third Asian Film Awards in 2009.
The story started with energetic Ryuhei employed at a sound job in a reputable office. Everything was going smoothly when suddenly Ryuhei was fired due to availability of Chinese workers at much lower rates. There could be three Chinese hired in the rate of one Japanese worker. This was the turning point of Ryuhei’s career. He did not want to disclose this news to his wife and family and continued to act as if he was still employed. He joined numerous of those downsized Japanese whom we called “secretly unemployed” who wanted to save their faces from their families hence pretended to work each day. Ryuhei used to spend his office working hours in parks and libraries with a number of other well-suited Japanese who were carrying the same deception. Ryuhei kept founding jobs and putting up his CV in many offices which in return just offered humiliation and unjustified low salary packages. Once Ryuhei met his old class met, Kurosu (Kanji Tsuda), while wandering on streets. He found Kurosu in the same situation as himself. Kurosu told him that he used a mobile phone feature that rang after specific intervals, so that people around him believed that he was still employed and got calls from his clients/employer. Kurosu took him to a place where they stood in queue to get free food which was available for homeless Japanese in the name of charity. The inspiration for such an outline of this film came, partly, from Kurosawa’s own childhood curiosity because his father never discussed the particulars of his job at home.
