美国论文格式：当代媒体和文化的批判性分析
美国论文格式：当代媒体和文化的批判性分析
本节将结合一些实际的媒体表示更当前和可与福柯的话语。有很多关于福柯如何适应女权主义的争论。福女权主义有一些基本假设,可以适应现在的媒体表示,他们分析和男性一样好。然而,现代女性需要更多的后现代主义表示福柯提出的后结构主义理论。福柯的理论更强调规范的拒绝偷的能力为女权主义描绘成一个解放者的政治运动。然而同样的争论他的反对,通用规范可以看作是一步包容女性教派的政治机构,权力的房子等等。麦克拉伦(2012)的观点:福柯的演讲强烈批评人文价值观自由女权主义者最强烈地相信是给使对立面。然而在规范的拒绝,他所扮演的力量如何与自由的原教旨主义,他实际上是主张政治交流,增加自由。理解这种力量不仅仅是通过在一个特定的方法是本身建立的关键,女人的温顺的身体提出了以同样的方式在今天的资本主义文化。所以女权主义对福柯和女权主义的争论,实际上能接受他的理论理解的变化,女性变成了。他们一直到自律装饰身体的转换需要纪律和惩罚的形式引起的不安全感等等。女性在当代社会是一个身体,主要是装饰。女性风格已经进化到灌输更多的性感形象,富有魅力的女子,时尚、奢侈和更多(Teelon,1995)
美国论文格式：当代媒体和文化的批判性分析
This section will incorporate some actual media representations which are more current and which can be connected with Foucault’s discourse. There is much debate on how Foucault fits into the feminist debate. Foucauldian feminism has some underlying assumptions that could fit into present media representations and their analysis just as well as their male counterparts. However, the Postmodernist representation of the modern women requires more than the post structuralist theory that Foucault proposes. Foucault’s theory places much emphasis on the rejection of norms which steal the ability for feminism to be portrayed as an emancipator political movement. However the same argument of his opposing, the universal norms can be seen as step towards inclusion for the feminine sect into political institutions, power houses and more. McLaren (2012) places the argument that Foucault’s presentation of strong critiques on humanistic values that the liberal feminists most strongly believe in is what gives makes the antithesis. However in its rejection of norms, his portrayal of how power could contradict liberal fundamentalism, he is in fact advocating a political engagement that increases freedom for all. Understanding that power is not just being passed on in one specific way is by itself ,the key to establish that women’s docile bodies has been presented in the same way as well in today’s capitalist culture. So the arguments that feminism places against Foucault and feminism, can in fact accept his theory to understand the changes that women have turned into. They have been disciplined into ornamental bodies which conversion will require discipline and punishments in the form of induced insecurities and more. Women in contemporary society are a body that is primarily decorative. Female styles have evolved to inculcate more sexualized imagery, a seductress in fashion, extravagant and more (Teëlon, 1995)
