金融论文代写

美国哲学论文代写:阿多诺和霍克海默

美国哲学论文代写:阿多诺和霍克海默

阿多诺和霍克海默的灵感来源于卡尔·马克思的历史唯物主义理论,他将历史定义为唯物主义的参数。它指出,社会的本质很大程度上取决于其制度所产生的技术进步和物质生产力。它直接与资本主义生产方式意味着市场渠道化的商品,获取剩余产值的拥有类资本积累的名义,生产资料由所有权私有化,其他程序开发在工业革命在西欧,然后蔓延到全球的各个部分(Foley &《,2008)。他们也受到了黑格尔的辩证唯心主义的影响。格奥尔格·威廉·弗里德里希·黑格尔的绝对唯心主义强调了一种主体的思想和它思想的客体之间一模一样的关系。它试图建立一个人的环境意识,以便正确地认识周围世界的意义。这两种理论都没有将孤立事件形象化,而是将它们视为相关情况的链,它们将产生相关的未来环境。另一个显著的影响是马克斯·韦伯的工具性推理和Georg Lukacs的意识概念的具体化。

在《消极辩证法》和《启蒙的辩证法》这样的作品中,阿多诺和霍克海默提出了一种观念,即在大众文化和娱乐的形成过程中存在着政治影响。这一理论认为,市场的利益需要大众的持续支持,而现代娱乐的每一种形式实际上都是网络的一个节点,称为文化产业。文化产业的主要目标是保持公众对产业自身的利益和提高。该理论将资本主义社会制造的娱乐产品置于扫描仪之下,并以批判的态度看待它们。

美国哲学论文代写:阿多诺和霍克海默

 Adorno and Horkheimer had been inspired by the theory of Historical materialism by Karl Marx, which defined history in terms of its materialistic parameters. It states that the nature of the society vastly depends upon the technological advancements and material productivity churned out by its system. It is directly linked with the capitalistic mode of production which signifies market-based channelization of commodities, capturing of the surplus production value by the owning class in the name of accumulation of capital, the means of production governed by privatized ownership, and other procedures developing during the Industrial Revolution in Western Europe and then spreading to all parts of the globe (Foley & Duménil, 2008). They were also influenced by Hegel’s dialectical idealism. Georg Wilhelm Friedrich Hegel’s Absolute idealism emphasized the sense of identical relationship between the thought of a subject and the object of its thought. It attempts to establish consciousness of one’s ambience in order to properly discern the meaning of the world around it. Both of these theories did not visualize events in isolation but perceived them as chains of linked situations that will beget relevant future circumstances. The other notable influences were instrumental reasoning by Max Weber and the reification of consciousness concept by Georg Lukacs.
In works like ‘Negative Dialectics’ and ‘Dialectic of Enlightenment’ Adorno and Horkheimer created the notion that political implications exist in the formulation of mass culture and entertainment. This theory denotes that the continual support of the masses is required in interest of the market and every form of modern entertainment is in fact a node of the network termed in unity as culture industry. The main objective of culture industry is to keep the public engrossed in it for the industry’s own benefit and enhancement. The theory puts under the scanner the products of entertainment manufactured by capitalistic societies and views them with critical perceptions.