英国论文代写：博物馆

英国论文代写：博物馆

博物馆在安排展品和展品时，必须了解他们的观众。他们不能理解他们的听众。这是因为不同的观众通过他们自己的背景文化来接近文化方面，因此博物馆仍然需要把参与者看作是一个活跃的参与者。然而，在这样做的时候，他们应该确保平衡现有的哲学和文化。这篇文章将着重介绍材料文化是如何在展览中被用于描述非洲文物、物体和展品的。这种形式的叙事根植于权力权威和参展商或博物馆的意识形态，并没有呈现出真实的土地文化图景。文化机构在这里被削弱为Tythacott，并且认为博物馆确实有不受欢迎的扭曲历史。博物馆在这方面的重要性已经受到了仔细的审视。这里正在讨论博物馆在教育公众方面的作用。

英国论文代写：博物馆
这篇文章的目的是分析为什么从非洲扭曲的物体表现成为一个问题的原因。来自非洲大陆的展品以一种真实的方式呈现，而不是文化的整体表现。在最好的情况下，一些文化的smidgens被利用来为观众构建博物馆的体验。在代表文化中使用对象，应该是它们体现了所需要的静态和离散的机械体现。物体不可能有自己的代表，而在这里，博物馆的作用变得更加严格。博物馆必须考虑到个人观众的期望，同时也确保文化的扭曲和展示的政治不破坏真实性。

英国论文代写：博物馆

Museums have to understand their audience when they are arranging exhibits and representations. They cannot afford to not understand their audience. This is because different audiences approach cultural aspects with their own background literacy and hence it is necessary for museums to still consider the participant as an active one. However, in doing so, they should ensure to balance existing philosophy and culture. The essay will be focused on how material culture is being used in exhibitions for narration on African artefacts, objects and exhibits. This form of a narration is rooted in the power authority and the ideology of the exhibitor or the museum and does not present a real picture of the culture of the land. Cultural agency is undermined here as Tythacott, and argues museums do have an unpopular history of distortion. The significance of the museum in this context has been brought under scrutiny. The role museums play in impartially educating the general public is being discussed here.

英国论文代写：博物馆
The purpose of this essay is to analyze the reasoning behind why distorted representations of objects from Africa become an issue. Exhibits from the African continent are presented in ways that are truly not holistic representations of culture. At best, some smidgens of culture are made use of here to construct museum experiences for the audience. Use of objects in representation of culture should be that they embody both the needed static and discrete mechanical embodiment concerns. It is not possible for objects to have their own representation and here the role of the museum becomes much stricter. Museums must take into consideration the individual audience expectations and at the same time also ensure cultural distortion and politics of display does not undermine authenticity.