作文代写-少数民族服装的身份问题的表现形式

作文代写-少数民族服装的身份问题的表现形式，少数民族服装是群体成员所穿的，通过与说明个人过去的物品、身体修饰和套装相关的差异来区分他们。这是作为个人穿着传统项目，说明了文化遗产。可以认为，与不同的服装和时尚形式相比，传统注重的是缺乏变化。同样，民族服装也与社会政治和民族国家边界有关(Entwistle, 2015)。因此，确定特定国家的公民。因此，在不同的情况下，民族服装的功能是作为一个民族在国际地区的服装。身份问题还包括民族、种族和族裔的其他基本表现形式。有一个很自然的过程，人们会被看起来很相似、有着共同背景或历史的人吸引。Crane(2012)对20世纪变化现象的研究探讨了全球民族景观的概念，这意味着个体从一个地区到另一个地区的快速和大规模的移动。这不仅强调了世界的时尚，而且也提高了人们的表达需求，当他们在外国的环境中，为了与其他有相同诞生的人互动。接下来有关作文代写-少数民族服装的身份问题的表现形式分享给大家阅读。

An example of the manner in which fashion and dress affects the perception of the people and influence their judgement can be seen. Majority of the individuals will perceive the image to be a man that is dressed in a suit with a unique hair style that compliments the image. The image exhibits the sex appeal of the male model. However, the hand movement showcases femininity. The boyish hairstyle and the formal suit worn by the model depicts masculinity. The information gained from viewing the image is direct and obvious. However, it is found that the depicted individual in the image is not a man but the model is a female that has borrowed the male styling and she is one of the popular models within the industry of fashion (Cappetta and Gioia, 2006). The sex of the individual is female but the gender portrayed in the image is of male. The individual namely Boucher in image has a non-binary identiy of gender linked with androgyny. The term androgynies implies having a gender that is both masculine and feminine in any amount of proportions. This can be instantly perceived by the viewer upon having the gender information of the model on the basis of the manner in which this person has presented himself and the style of dressing. This perception is also influenced through the norms of the culture for the male dressing styles. Therefore, the sexual orientation, gender, and sex are the initial perception that are formed by the viewer with respect to individual are of a male individual (Chittenden, 2010). This information is communicated by the wearer in a visual manner through subverting the conventional dress and fashion norms which are constructed culturally through the society.
The issues of identity further entail other essential expressions of nationality, race and ethnicity. There is a natural process of being attracted to the individuals that looks similar and holds mutual background or history. The studies of Crane (2012) on the change phenomenon of the 20th century discuss the global ethnoscape concept which implies the rapid and mass movement of the individuals from one region of the globe to another. Not only has this emphasized the world fashions but also it has given rise to the people’s need for expression when they are within the foreign environment in order to interact with other individuals that share similar nativity.
As suggested by Craik (2009), the ethnic dresses are worn by the group’s members that differentiates them through variance related to the items, body modifications and ensembles that illustrated the past of individual. This is performed as individual wears traditional items which illustrates the cultural heritage. It is to consider that tradition focuses on the lack of change as compared with the different dresses and fashion forms. Similarly, the national dress is linked with socio-political and nation state boundaries (Entwistle, 2015). Therefore, the citizens of specific nation is identified. Hence, in various instances, national dresses functions as the dress for an ethnic group within cosmopolitan regions.

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