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论文代写:查尔斯·帕克在爵士乐中的角色

论文代写:查尔斯·帕克在爵士乐中的角色。查尔斯·帕克因其创新的节奏和复杂的旋律而获得关注,这导致了爵士乐的即兴创作。在挥拍区,他专注于基本音阶和琶音。他在围绕旋律的重复段上花了很多心思。帕克在比波普时代的基础上改变和颜色的和弦。他开始使用音阶和琶音,这是基于和弦的延伸。他是众所周知的乐器大师,他的音乐有能力反映这种意识形态。接下来论文代写专家将为同学们讲解下查尔斯·帕克在爵士乐中的角色。

音乐受社会影响,音乐也影响社会。早在十九世纪八十年代,文化的大熔炉里,新奥尔良就浸透了各种形式的音乐,包括破音乐、铜管乐队等等。在酒吧和舞厅里演奏的混合音乐开始在新奥尔良常年的聚会气氛中形成。查尔斯·巴迪·博尔登的小号被誉为第一个热爵士乐,后来比尔·约翰逊的Bass与20世纪10年代的舞蹈热潮相结合,形成了新的版本乐队。最初的迪克西兰爵士乐队是最早录制现在被称为爵士音乐的乐队之一。这个乐队还把音乐引入了芝加哥。“迪克西兰爵士乐”把这种音乐引入了美国所有其他州。随着音乐流派的发展,爵士乐在发展中经历了许多趋势,多年来受到许多艺术家的影响。有一位著名的艺术家,他的名字永远与爵士乐联系在一起,那就是“鸟”查理·帕克。

查理·帕克是一名中音萨克斯管演奏者和即兴演奏家。即兴创作是爵士乐的支柱,即兴创作是爵士乐能够更快地在全国传播的原因之一。即兴创作比作曲更受爵士乐的重视。帕克早期的大师作品,如“Ko Ko”,以其简单的结构和即兴组合的中音萨克斯管和小号,演奏在8个小节旋律短语。

在这样的背景下,本作品的目的是批判性地讨论美国黑人工作歌曲的历史,具体选择了爵士乐的例子,更具体地关注“鸟”的作品和影响。在这一分析中,将讨论鸟类学和查尔斯·帕克在这个结构中的作用。这个鸟类学概念是关于契约曲调的。这源于布鲁斯时代的作曲装置,在20世纪40年代的bop发展中非常重要。旋律有潜在的和声结构,这是不受版权保护的。爵士乐手基本上是即兴创作更新的作品并进行表演。

这篇文章的论点是鸟类学是帕克对爵士乐的重要贡献,它对其他音乐家的影响可以感受到,多年来它引导他们即兴创作。虽然很多人会从纯粹的艺术角度赞扬帕克对爵士乐的贡献,但他的贡献不仅仅是改善了音乐。它为黑人及其意识形态的种族提升、解放和同化提供了途径。

Music is influenced by society and music also influences society. In as early as the 1880’s melting pot of cultures, New Orleans was awash with a mixture of music in the form of rag time music, brass bands and more. Played in the saloons and dancehalls, a mixed music began to develop in the perennial party atmosphere of New Orleans. Charles Buddy Bolden’s trumpet was acclaimed as the first hot jazz, and later Bill Johnson’s Bass mixed with the dance craze of the 1910s led to the development of new version bands. The Original Dixieland Jass Band was one of the first to record what is now acclaimed as Jazz music. The band also served to introduce music to Chicago. “Dixieland Jazz” introduced the music to all other states in the country. As with developing music genre, Jazz underwent many trends in development and has been influenced by many artists over the years. One such acclaimed artist whose name is forever associated with Jazz is “the Bird” Charlie Parker.

Charlie Parker was an alto saxophone player and an improviser. Improvisations are the backbone of Jazz and improvisation is one of the reasons that the music was able to spread all over the nation in a faster manner. Improvisations are something that Jazz came to recognize more than compositions. Parker’s early master pieces such as “Ko Ko” are acclaimed for its simple structure, and improvised combinations of the alto saxophone and the trumpet, played in eight bar melodic phrases.

Given this background context, the purpose of this work is to critically discuss African American work songs history by specifically selecting the example of Jazz, and more specifically focusing on the works and influence of “the Bird”. In this analysis, there will be discussion of the Ornithology and the role of Charles Parker for this structure. This Ornithology concept is about the contrafact tune. This stems from the compositional device which originates from the blues times and was important during the development of the bop from 1940s. Melodies have underlying harmonic structures which can not be copyrighted. The Jazz musicians fundamentally improvised newer pieces of composition and performed.

The essay makes the argument that ornithology was a significant contribution of Parker to Jazz and its influence can be felt on other musicians in the way it led them to improvise over the years. Although many would hail the contribution of Parker to Jazz music from a pure artistic angle, his contribution did more than to just improve the music. It served as a way for racial upliftment, liberation and assimilation of Black people and their ideologies.

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